Showing posts with label Graphic Design. Show all posts
Showing posts with label Graphic Design. Show all posts
Valentine Ammeux
I have been working on the theatre play The Seagull, by Anton Chekhov, because I had a special interest in silence as places of creation and imagination. I replaced the punctuation with black squares of different width, representing pauses in the text. Placed on the back on the paper, they would interact with the text and when turning the page, they create a rhythm. I also tried to create a kind of suspense, using empty pages, sometimes folded or screwed up in a particular way, between the acts of this play. Then, I had to think again about the space and format of the page, and I did a book where the size of the page depends on the length of a conversation and the length of the sentences.
Visit Valentine Ammeux's Website
Visit Valentine Ammeux's Website
Nattanan Naewmalee
“Hands are the most powerful tool of a human who use them in a lot of ways to create or communicate something, by or without verbal messge from brain and emotion.” This project collects the world of hand signals based on world wide web and books research. It creates the new graphic direction of information design by mapping and comparing the hand movement with human body.
Visit Nattanan Naewmalee's Website
Visit Nattanan Naewmalee's Website
Minchaya Chayosumrit
Trying to find new ways in getting information and visualise it expressively and conceptually are my main aims during the first year. Being inspired by the first project (Make the Rules, Break the Rules) that allowed me to start my journey of documenting unpredictable results and uncertainty, I had explored different ways of visualising information. Time-Lapse Photography showing a bed from top view compared with exterior view of sky was used in my project, ‘A Visual Sleep Diary’, as well as data mapping of sleep-wake time and activities 40 people was doing before they went to bed.
Visit Michanya Chayosumrit's Website
Visit Michanya Chayosumrit's Website
Maria Tsirodimitri
My project is about the renewable energies in Greece. Through my work I tried to show how much energy is produced by the exploitation of the renewable sources in Greece and compare these data with those of other countries. My first poster shows how the prefectures of Greece are provided with energy. Each prefecture has a certain amount of substations which feed with energy the area they are located and other areas close to it. My next poster shows the consumption of energy (in %) by fuel in all European countries and the last one shows the total production of renewable energy, the energy which is produced by the exploitation of each one of the renewable sources and finally the consumption of energy in all European countries.
Kristina Kostadinova
Parrallel Universes
Becoming part of a course with 67 people from 27 different countries was my interest from the moment I set foot in CSM. I have this rare chance in life for extraordinary communication and exchange. I saw us, like many single universes standing one next to another, as a group of birds on a wire. Moving on in perfect parallel, we have this common interest – school - but at the same time, the diversity of our backgrounds makes us so contrastive. I wanted to explore how we think, behave and communicate in this new environment. I am curious about the individual personality and the interaction between us. Meeting every single person of my own course for an hour chat, taking photographs of them, is essential for me and makes my process of work engaging and stimulating.
Lucy Walter, Type/Face
This project is called Type/Face and the idea that underlies my work is “personalization”. I created a new system that allows each individual to adapt ready-made typefaces to their own facial features, thus obtaining a personalized font, their own version of a preexisting one.
The process goes as follows: using a photograph, a special software recognizes certain facial points (like the distances between the eyes, the lips and the nose, etc) and after that it creates a grid to which the letters and symbols of a selected typeface are adapted. In the future I would like to continue studying the range of benefits that Graphic Design can gain from personalization.
Visit Kristina Kostadinova's Website
Becoming part of a course with 67 people from 27 different countries was my interest from the moment I set foot in CSM. I have this rare chance in life for extraordinary communication and exchange. I saw us, like many single universes standing one next to another, as a group of birds on a wire. Moving on in perfect parallel, we have this common interest – school - but at the same time, the diversity of our backgrounds makes us so contrastive. I wanted to explore how we think, behave and communicate in this new environment. I am curious about the individual personality and the interaction between us. Meeting every single person of my own course for an hour chat, taking photographs of them, is essential for me and makes my process of work engaging and stimulating.
Lucy Walter, Type/Face
This project is called Type/Face and the idea that underlies my work is “personalization”. I created a new system that allows each individual to adapt ready-made typefaces to their own facial features, thus obtaining a personalized font, their own version of a preexisting one.
The process goes as follows: using a photograph, a special software recognizes certain facial points (like the distances between the eyes, the lips and the nose, etc) and after that it creates a grid to which the letters and symbols of a selected typeface are adapted. In the future I would like to continue studying the range of benefits that Graphic Design can gain from personalization.
Visit Kristina Kostadinova's Website
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